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Duomo
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Built around 595 AD, the Greek-cross
chapels honors St. John the Baptist. In the mid 14th
century, Matteo da Campione added a Romanesque-Gothic fine
black and white marble arcaded façade. The ancient
foundations and meeting grounds are still visible through
the Plexiglas sections of the Duomo floor.
Besides the Corona Ferrea (Iron Crown) and the astounding
frescoes that adorn the ceiling and walls, the Duomo’s
museum has a wonderful collection of relics and artifacts
including:
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Tapestries of the tales of Saint John
the Baptist
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Magni's
Announcement to Zachariah
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Visitation, Birth and Circumcision of
Saint John the Baptist
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Vials of The Holy Land Jerusalem
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Heavenly Medallion Votives
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“Honorarium”, clues to the burial of
martyrs
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Saint Ambrose with capsule of pallium
& mitre
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Polyptych with Mary with baby Jesus
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Veil of the “Virgin Mary”
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Diptych of David and St. Gregory
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Diptych of the Poet and the Muse
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Theodelinda’s comb
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Sapphire Cup
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Golden Hen with Seven Chicks
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Theodelinda’s Evangelarium
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Cross of Adaloald, the son of
Theodelinda
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Objects from Theodelinda’s
sarcophagus
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Theodelinda’s Crown Votive
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Reliquary of St. John the Baptist’s
teeth
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Chalice of Gian Galeazzo Visconti
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Roman Ostensory created by Antonio
Grossi
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1805 Golden Eucharist Bread and
Gilded gold donation of Napoleon Bonaparte to the Duomo
of Milan for the coronization ceremony with the Iron
Crown.
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Sword of Estorre Visconti 1400-1410
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Shrine for the Virgin Mary from the
end of the 14th to the beginning of the 15th centuries
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Ring of Saint Andrea
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Pocket container of Pope Pio IX
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Iron Crown (Corona Ferrea)
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The Duomo's most famous treasure. Six
gold and enamel segments of beaten gold form the outer ring.
They are joined together by hinges and distinguished with
inlaid jewels that form crosses and flowers. Perhaps
originally a large armlet or votive crown, it is rather
small. Alternatively, unromantic documents claim that two
segments were lost and the crown was readjusted accordingly.
The famous piece of regalia gains its prestige from a narrow
band of iron. This centimeter wide metal is said to be
beaten from one of the nails used to crucify Jesus Christ.
Legend has it that Helena, mother of Emperor Constantine I
discovered the ancient cross and gave the nail to her son.
The path leading to Lombardic ownership is questionable, but
some believe that Theodelinda procured the item for her
people. In any case, the crown became one of the symbols not
only for the Lombard Kingdom but also of Italy. Many
Holy Roman Emperors were crowned with this crown including
Charlemagne, Otto I, Henry IV, and Frederick I Barbarossa.
On May 26, 1805, Napoleon Bonaparte was coronized with the
Iron Crown at the Duomo of Milan. This was the infamous day
when Napoleon was the first to crown himself Holy Roman
Emperor while exclaiming the notorious phrase, “God gives it
to me, beware those who touch it”. Afterwards, Napoleon
formed the Order of the Iron Crown which was re-instituted
by the Austrian Emperor Francis I in 1816. In 1838, Emperor
Ferdinand I joined the order and was crowned King of
Lombardy and Venice. From 1859 to 1866, the Iron Crown lived
in Vienna. In 1866, it was given back after the Third
Italian War of Independence. This action reflected the great
victory. Nowadays, one can view the crown at Monza’s Duomo
for five euros.
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Villa Reale Park and Gardens
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In 1805, Napoleon dreamed of a park with
a large estate and a game reserve. The Italian viceroy
Eugenio Beutharnais realized this dream with the help of
Luigi Canonica’s designs and Tazzini’s engineer work.
Extending over 685 hectares, the park covers areas of Monza,
Vedano and Biassono. The surrounding wall is 14km long.
Thanks to Villoresi’s gracious botanical donations the park
displays incredible plant diversity.
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Villa Reale
In 1777, the Empress Maria Teresa of Austria
commissioned a country house to be build for her nephew, the
archduke Ferdinand. The same designer of La Scala,
Piermarini, envisioned a U-shaped building that lacked
excessive decorative features but restrained strongly by its
linear appearance and choice of building materials.
In 1790, the structure was embellished with the rotunda
frescoed by Appiani and with a greenhouse structure. In
1797, ownership of the property was transferred to the
Ciasalpine Republic. In 1859, it became the house of the
Savoia Family. In 1878, King Umberto I took it as his
residence and it closed upon his assassination on site. At
present the Villa hosts the Rose Garden supervised by the
Italian Rose Association, the Greenhouse hosts the Civic
Museums, the “Queen Margare” Italian Library for the Blind,
the Small Theater (Teatrino) designed by Luigi Canonica, the
Rotunda designed by Piermarini and frescoed by Appiani, the
Chapel also by Piermarini, but decorated by stucco-work by
Giocondo Albertolli and the State Art Institute.
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Royal Gardens
Some parts are meticulously kept; other areas enjoy a
more natural wild beauty. However, wherever you may stroll,
the royal gardens exude a fairytale atmosphere. The
swan-filled Royal Lake recalls Millais’ slumbering Ophelia
and from high vantage point you can fully appreciate the
small Dorian Temple. |
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Farmhouse- “Cascina del Forno”-
Because of the oven inside, it is also known as Cascina
Fornasetta. For years it housed guinea pig nursery, but after
much restoration, it is now used as residential accommodation.
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Cascina Bastia- Near the main
entrance to the park, it has a direct connection to the villa’s
gardens. Restored by Canonica from 1805-1825 and renovated in
1847 by Tazzini, it is now the site of Italia Nostra Information
Office, the ranger station and a bike-hire business.
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Cascina Cavriga- The well
preserved porch columns and central planned neoclassic
building of Tazzini, appears to be a neoclassic temple
but actually serves as a snack spot near the parks main
road.
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Cascina Santo Fedele-
The symmetry of the door and the two gothic double lancet
windows of the front (along the small suspended arches once part
of the church of Brera) characterize this cascina built by
Canova. Well preserved, during a long series of restorations the
jutting parts were lost and two new buildings were added in
order to be used as a recreation center and summer camps.
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Villa Mirabello-
Commissioned by Cardinal Durini, who received the Feud of Monza
from the De Leyva Family in 1648, the villa was built by
Gerolamo Quadrio between 1656 and 1685. It is the oldest
structure within the park and marks the transition from castles
to 17th century villas. Two symmetrical belvedere
turrets are the only elements left from earlier castle
traditions. In mid 16th century, Durini converted the
villa into a small palace and introduced the late Baroque
ornamentations of the windows and the frescoes by Cucchi in the
great Hall on the ground floor. Here great classic poets and
some of the major contemporary poets are featured. The villa was
further enriched with valuable furniture and a fine collection
of books later donated to Brera. When the French occupied it,
they used the villa as a warehouse and quarters for the French
troops, but returned to its former purpose during the Austrian
occupation. Once entrusted to the War Veteran Association in
1919, the Councils of Monza and Milan own the park. It is the
seat of administration offices of the park, C.R.E.D.A., and
houses the library in the column hall.
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Cascina Frutteto- Rebuilt
by Canonica, the farmhouse is at the center of a network
of orthogonal paths and rows of fruit trees.
Nowadays, it serves as the local school of agriculture.
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Porta di Vedano-
The gate was designed by Canonica in 1815 and later completed by
his successor, Tazzini. It consists of a pointed arch and an
adjoining octagonal booth covered with a rotunda roof.
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Fagianaia Reale-
Built in 1838 by Tazzini it is the only pheasantry left out of a
series, and today, it houses a well-known restaurant.
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Mulini Asciutti
(The Dry Mills) - Guided tours expose the beautiful work of
Tazzini. Built in 1834, a stream flows between the two covered
conjoined blocks. Upon thorough inspection, one can observe the
original gears.
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Mulino del Cantone
(The Cantone Mill)- It was built by Canonica in the early
nineteenth century. The turret, belonging to the earlier
building, was preserved by Canonica and intentionally not
restored to indicate its decay. Tazzini restored it in 1840 and
now seats a labor co-operative.
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Il Mirabellino-
Commissioned by Cardinal Durini to Giulio Galliori in 1776, the
new villa, on the hill facing the Mirabello Villa, served as the
summer residence for the Cardinal’s guests and a place for the
entertainment of the court. Similar to the Mirabello, the
Mirabellino repeats the U-shaped plan but with a different
distribution of the volumes. In the 19th century, a
massive restoration plan was attacked but it was severely damage
in the years of the French and Austrian occupations. Now it
houses a recreation center.
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Cascina Cattabrega-
Tazzini also created this farmhouse to the south of Mirabello.
It is a two-storey farmstead where the upper floor was once used
as a dwelling place. Today it is a stud-farm.
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Cascina Isolina-
A lantern surmounts this small hexagonal building. While one can
appreciate the ground floor arch and the four large windows of
the upper storey from outside, a more intimate viewing is
impossible since it now is a private residence.
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Ponte delle Catene-
Canonica’s 1820 work owes its name to the granite posts and the
iron chains of the parapet. In the middle on four columns rests
the double-arched bridge.
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Cascina Del Sole- Also
converted into a snack spot, this 1839 Tazzini is
isolated by the extensive surrounding parkland.
Unfortunately, nothing of the original building and its
friezes have remained.
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Racecourse- In
the central area a Polo playing field and the track for
equestrian sports was built in 1922. Because of a recent fire,
only part of the original Liberty style stands survives today.
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Cascina Casalta-
This building has undergone significant restructuring. Built
from 1805-1825, it maintained its original function and hosts an
agricultural company that rears cows and cares for horses.
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Ponte dei Bertoli-
Designed by Cantalupi, engineer in 1853, the bridge links the
St. George Mill with the Asciutti Mills. It overpasses the
Lambro River after the Bertoli Lock.
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St. George Mill-
Built in 1820, it has two frescoes inside the small portico
depict the Ascension and St. Stephen.
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Portico del Serraglio-
Originally the entrance gate to an estate from the race course,
the structure is a pointed arch. Topping the apex stands a
deer’s head flanked by two towers with the Visconti coat of
arms. The red brick arch, bordered by a white brickwork braid is
of special interest.
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Cascina Costa Alta-
This beautiful farmhouse has a pointed facade at the center with
a small balcony and oval window. With an old stone well on the
premises, six stone columns support the white-beamed ceiling and
entire structure.
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Cascina Costa Bassa-
Known as the Horse Hospital for it provided horses a place to
rest and refresh, the neo-classical building has a colonnade
topped by a gable.
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Autodromo
Nazionale Monza
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Via Vedano, 5- Parco di Monza- 20052 Monza
Info: tel. 039.24821
fax. 039.320324
www.monzanet.it
The National Autodrome of Monza represents the larger motor
sport complex of Italy and one of the most famous in the
world. A place where the Grand Prize of Italy of F.1
imaginary collection is disputed, and the “Tempio della
Velocita”.
In reality, the Autdrome of Monza is unlike any other.
With the structures of vanguard, the autodrome is used for
the one Spazio event, the prestigious and innovative through
organizing conventions, seminars, shows and entertainment
displays.
The spaces are disposed only, in degree of to support the
traditional services of the central
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Restaurant/bar/ catering service
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Shops
All the necessary services for the event
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Other City Sights
Arengario. This ancient palace was
established in 1293. A square tower was added in the 14th century.
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Oratory of Saint
Marta. The small oratory is all that remains of what
used to be two adjacent hospitals for the poor. |
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Church of Our Lady of the Way. Part of
a convent, it was founded around 1300. Distinguished for the wealth
of its decorations, it is known as a "facade to wind". It is a fine
example of Lombardic gothic architecture from the end 300 AD.
Church of Santa Maria Maddalena.
Flanking the Visiconti castle, the church was erected in the 14th
century and housed the friars. In 1859, it was expanded and
partially reconstructed.
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Justice Palace. Erected on the
site of the ancient Saint Gerald Hospital, the Justice
Palace marks the end of the Garibaldi public square.
Constructed by the architect Bartesaghi in 1931, it is
strongly representative of time’s style. With its U-shaped
plan and inner courtyard center, it serves as a present day
meeting place while recalling the foundations of the
preexisting building. |
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