July 2021 calendar
with current changes due to Covid 19
many exhibitions can be viewed online.
The World Photography Organisation
This show presents a comprehensive selection of over 330,000 images from 220 countries submitted to the Sony World Photography Awards 2021. Over 165,000 photos were entered into the Open competition (from which the National Awards winner was selected).
Click to view the list of winners
Click to download images
Duomo / Cathedral
Piazza Duomo 12 • M1/3 Duomo
1) Cathedral and Archaeological Area
Open: 09.00 -18.00. Tickets sold up to 17.00 every day; last admission 17.10
2) Museum and San Gottardo in Corte
Open every day except Wednesdays 10.00-18.00; (tickets sold up to 17.00; last admission: 17.10).
Open every day 09.00 -19.00. Tickets sold up to 18.00. Last admission at 18.10.
Evening opening Fri. – Sun. until 20.00. Tickets sold up to 19.00. Last admission at 19.10.
Ascent by elevator only. Descent using the stairs only.
The Fast Track service is currently suspended.
Tickets: https://www.duomomilano.it/it/buy-tickets/ (in Italian) €4-17
Booking: https://www.duomomilano.it/it/infopage/tour-individuali/34/ (in Italian)
Piazza Duomo 12 • M1, M3 Duomo
New Access Rules
New opening hours: Thurs. – Sun. 09.30 -19.30.
Booking is highly recommended for individual visitors, even for free exhibitions, while it is mandatory for groups. Consult the section Tickets and Booking
It is also possible to buy tickets onsite keeping social distancing.
Full ticket € 14,00; Reduced ticket € 12,00; Musei Lombardia Season ticket € 10.00, also applies for Orticola members; Families with 1 or 2 adults, reductions for children aged 6 -14; under 6 free. Audio-guide included and pre-sale costs excluded. Some exhibitions could be free.
Until 27 July. “Le Signore dell’ Arte” (The Ladies of the Art). over 130 works by 34 different women artists such as Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Elisabetta Sirani, Ginevra Cantolfi, Giovanna Garzoni …
Until 12 September. “Divine and avantgarde. Women’s art in Russia.” In collaboration with the State Russian Museum in Saint Petersburg. Around 90 masterpieces, 8 different sections and 2 major chapters. https://www.palazzorealemilano.it/en/mostre/women-russian-art
Until 29 September. “Prima, Donna” an extraordinary retrospective to remember the vision and the unconventional life of Margaret Bourke-White, one of the most representative and emblematic figures in photojournalism. https://palazzorealemilano.it/en/mostre/margaret-bourke-white
Until 29 September. “Sun and Oceans Painting” Solo show by the painter Marcello Lo Giudice. Admission free. https://www.palazzorealemilano.it/en/mostre/sun-and-oceans-paintings
Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci
Via San Vittore 21 • M2 Sant’Ambrogio, buses 50, 58, 94
Open Thurs.15.00-21.00, Sat. and Sun. 10.00-19.00. Admission €7,50/10. To avoid crowds, booking is mandatory: please show up on time. https://museoscienza.vivaticket.com/must/opentickets.html
Your body temperature will be measured before entering the museum. If it exceeds 37.5°C you will not be allowed in.
During the entire visit you will be required to wear a mask and keep a distance of at least 2 meters between you and all other visitors and staff. At the entrance and inside the museum you will find sanitizing gel dispensers. All visitors must sanitize their hands before touching interactive installations and touchscreens within the exhibitions.
For safety reasons, lockers are not available at this time and it is forbidden to eat and drink within the museum premises.
Some permanent exhibitions: https://www.museoscienza.org/en/visiting
Leonardo da Vinci Galleries The world’s largest exhibition dedicated to Leonardo as engineer, humanist and nature explorer. A spectacular setting accompanies you on a journey that, starting from 15th-century Florence, traces the training of Da Vinci and the influence of Tuscan engineers up to his stay in the Milan of the Sforza. A journey through the art of war, work and production, flight, waterways and architecture that ends with a perspective on Da Vinci’s influence on Lombard Renaissance painting and an immersive installation dedicated to drawings of the last period of Da Vinci’s activity. More than 1,300 square meters and 170 historical models, works of art, antique volumes and installations that bring the exhibition’s narrative to life. https://www.museoscienza.org/en/leonardo/galleries
Moon rock. A piece of the Goodwill Rock, collected in 1972 by the astronauts of the Apollo 17, the last human mission on the Moon. It is a small rock with an immense value, maybe the most relevant symbol of humanity’s passion for exploration and for scientific and technological challenges. It was donated in 1973 by the American President Richard Nixon to the Italian Republic and later entrusted to the Museum. The rock has allowed scientists to make hypotheses on the origin and nature of the Moon and catch a glimpse of the Solar System’s first instants. https://www.museoscienza.org/en/collection/objects/moon-rock
Vega launcher. The 1:1 scale model of the first Vega (VV01), a vector developed by the European Space Agency (ESA). About 30 meters high and with a mass of 137 tons, it is composed of 4 stages that can transport and release satellites of up to 2,000 kilograms. Unlike most small launchers, it can carry multiple loads into Space, placing them on different orbits. Vega was developed thanks to a collaboration between Italy, France, Belgium, Spain, the Netherlands, Switzerland and Sweden. The first launch took place on February 13, 2012. https://www.museoscienza.org/en/collection/objects/vega-launcher
Extreme. In partnership with CERN (European Organization for Nuclear Research) and INFN (National Institute of Nuclear Physics,) a fascinating research area explores matter in its most infinitesimal components. The exhibition reveals what goes on inside the laboratories of two of the largest research institutions that carry out experiments related to particle physics. https://www.museoscienza.org/en/offer/permanent-exhibitions/particle-physics
Prada – Luna Rossa. Inside the Aero-Naval Pavillion, the rigid wing catamaran AC72 which was a finalist in the selection regattas for the 34th America’s Cup challenge (San Francisco 2013).
Giovanni V. Schiaparelli’s Merz-Repsold Telescope. In 1886 – when it came to service at the Brera Astronomical Observatory in Milan – the Merz-Repsold telescope was the largest in Italy and one of the most important in the world. With this tool, Schiaparelli conducted his studies on Mars. He observed some structures – shaped like channels – on the surface of the planet. This ignited a debate on their very existence as well as on the possibility of extra-terrestrial life on Mars.
Conte Biancamano ocean liner. Diving into history: the prestigious launch in 1925 in Scotland, the first journey on the Genoa-Naples-New York route, the voyages to South America and the Far East, the transport of U.S. troops during World War II, and the last trips. Today’s survivors are the ballroom and the bridge with the original equipment and some cabins, acquired by the Museum in the 1960s during the disarmament.
Viale Alemagna 6 • M1/2 Cadorna
Tues. to Fri. – 11.00 – 20.00 (last admission 19.00)
Single ticket for all Triennale exhibitions €15
Since 1923, Triennale Milano has been an international institution which hosts exhibitions and events on design, architecture, visual arts and theatre.
The Terrazza Triennale restaurant. Open 12.00 – 01.00, a venue with a view, offering top quality cuisine and warm, friendly service. Admission free.
Caffè Giardino. A delightful wooden veranda with a large banqueting table. Perfect for an aperitif or an outdoor lunch, with salads, gastronomic focaccias and quintessentially Italian cirasci (rice cooked with Japanese technique but seasoned with Mediterranean flavours). Admission free.
This venue is itself an interesting piece of architecture, designed by Giovanni Muzio and built in 1931-33 specifically for exhibitions. The Torre Branca nearby offers the chance to see Milan from about 100 metres up, at certain times of day and in the evening.
Plan and book your visit: https://www.triennale.org/en/visit/plan-your-visit/
The European Commission has assigned an important recognition to Triennale Milano, identifying it as an official partner of the New European Bauhaus project. Triennale is the only Italian institution selected together with twelve other international structures. More info at:
Permanent exhibition. “Museo del Design Italiano” a selection of the most iconic and representative pieces of Italian design, part of the 1,600 objects in the Triennale Collection. A selection by a scientific committee, with pieces by some of the leading figures of Italian design and architecture, such as Magistretti, Castiglioni, Zanuso, Bellini.
Until 12 September. “Enzo Mari” an exhibition devoted to the work and ideas of one of the most important designers, artists, critics and theorists. The show includes projects, models, drawings, and materials from the Enzo Mari Archive, many of which have never been shown before. €8.50/10
From 5 May to 22 August. “Vitrea” designer glass designed by international artists and made by great Italian master craftsmen.
From 6 May to 12 September. “Les Citoyens” The collection of the Fondation Cartier pour l’art contemporain presents a selection of 120 works by 28 artists from the Parisian institution, including David Lynch, David Hammons, Francesca Woodman, Cai Guo-Qiang, Patti Smith, Agnès Varda, Artavazd Peleshyan.
From 12 May to 12 September. “Vico Magistretti. Architetto milanese” the heritage of drawings, sketches, models, photographs, prototypes and original pieces preserved in the archive of the Milanese architect and designer.
From 14 May to 22 August. “Carlo Aymonino. Fedeltà al tradimento” (Carlo Aymonino. Loyalty to betrayal). The exhibition presents archival materials, projects, paintings, texts, photographs, interviews, the vision of the city and the suburbs, and also more personal aspects, such as political commitment, passion for drawing and painting, family life, which are inextricably intertwined with his work as an architect.
From 20 May to 20 November. “Unknown Unknowns. An Introduction to Mysteries” The exhibition will try to answer a series of questions about what we “know we still don’t know” in various fields, such as the evolution of the city, the oceans, genetics and astrophysics. A profound experience, which involving designers, architects, artists, playwrights and musicians, will give the opportunity to overturn our idea of the world.
As well as the permanent exhibitions:
The famous preparatory cardboard for the School of Athens by Raffaello, after four years of restoration, is back in a new layout inside room 5 of the Picture Gallery. In this regard the architect Stefano Boeri stated: “In the room that hosts the Cartoon of Raphael, we strongly wanted the presence of a huge solid wooden table, created by Riva1920 from a 150-year-old oak, because we believed that the space of contemplation of the extraordinary drawing that represents a School could become a School itself. The large table reminiscent of educational facilities turns the Sala V of Pinacoteca Ambrosiana into a silent and powerful School where the visitor can both admire the Cartoon and read and learn from historical books that detail its history, origin and deep meaning”. The video in English can be seen at the following link: https://www.youtube.com/watch?v=Na0JoPvLiug
For the safety of this painting the largest single-door window in the world has been set up. Structural engineers, mechanical engineers and kinematics experts have been called upon to resolve some critical issues, such as stability, safety, air and humidity resistance.
GAM Galleria Arte Moderna
Via Palestro 16 • M1 Palestro
General info: http://www.gam-milano.com/en/info/hours-and-admission/
Permanent exhibitions. The rooms of this beautiful royal villa feature a large selection of artworks by Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Vincent Van Gogh, Paul Cézanne, Pablo Picasso, Amedeo Modigliani, Francesco Hayez, Pompeo Marchesi, Andrea Appiani, Tranquillo Cremona, Giovanni Segantini, Federico Faruffini, Giuseppe Pellizza da Volpedo, Antonio Canova, Daniele Ranzoni, Medardo Rosso, and Gaetano Previati. Worth a visit!
Piazza della Scala 6 • M1 Duomo
Mon. – Fri. 10.00 -20.00 (last entry 18.30). Sat.- Sun.10.00 -21.00 (last entry 19.30)
Permanent exhibitions. The sumptuous palace belonging to the Intesa Sanpaolo bank holds a large number of artworks ranging from the 19th (197 works from Canova to Boccioni) to the 20th century (189 works from the Second World War on). Worth a visit!
The Vault. The interior, planned in the early years of the last century by Luca Beltrami, is dominated by a unique, symmetrical compositional design. It no longer contains safe-deposit boxes, but it safeguards something equally valuable: about 500 paintings belonging to the Intesa Sanpaolo collection. https://www.gallerieditalia.com/en/milano-en-2/the-vault/
The Italian 19th Century. “Da Canova a Boccioni. Le collezioni della Fondazione Cariplo e di Intesa Sanpaolo” (“From Canova to Boccioni. The 19th Century in the Collections of Fondazione Cariplo and Intesa Sanpaolo”) spans an entire century in the history of art. https://www.gallerieditalia.com/en/milano-en-2/the-19th-century/
The Italian 20th Century. The collection widely showcases the events and protagonists of 20th century Italian art: from Boccioni’s four masterpieces to works by Balla, Carrà, de Chirico, Funi, Mafai, Sironi, Rosai, Spadini, Tosi, Zanini (in addition to a large presence of authors of regional significance whose works date back to the early 1900s), all the way through to the largest section, which covers almost every single trend in late 20th century Italian art. https://www.gallerieditalia.com/en/milano-en-2/the-20th-century/
Alessandro Manzoni’s Garden. Open to the public since 15th October 2015, the garden can be found between Casa del Manzoni and Palazzo Anguissola Antona Traversi. Walking among the basswood and magnolia trees of this green patch in the heart of Milan, you might chance upon a contemporary art sculpture realised by Joan Miró, Giò Pomodoro, Jean Arp or Pietro Cascella. There is also a niche fountain with the bust of Alexander the Great, a symbol of prestige for the Anguissola line and a clear sign of Count Antonio Carlo’s passion for classical antiquities.
Until 3 October. “Painting is Back” an extraordinary exhibition on the Eighties, which offers a vision of the artistic events and of the protagonists who provocatively viewed painting as a happy ability to paint the world with a new vitality which had international visibility and immediate success.
MUDEC Museo delle Culture
Largo delle Culture, corner between Via Tortona and Via Bergognone • M2 Porta Genova
Open: Tues.-Sat. 10.00-19.30. Last admission 18.30
Mudec Restaurant. Open Mon. 7.30 -22.30. Tues / Sat.12.30 – 14.30 / 19.30 – 22.30. Sund. closed
Reservations required online
Bistrot. Open Mon.- Sun. 8:00 – 17:00
Parking. Ample provision of 24hr covered parking. Fee charge per hour € 2,00
Until 1 August. “Robot. The human project.” From the first mechanical devices of ancient Greece to the new frontiers of Artificial Intelligence, man has always been attracted by the idea of creating an artificial companion. The exhibition retraces the relationship between human beings and their doubles, revealing the results achieved so far, the extraordinary technological developments and the frontiers of contemporary robotics and bionics.
From 2 September. “Disney. The Art of Telling Timeless Stories” will illustrate Walt Disney’s masterpieces by tracing the stories back to their ancient origins in epic tradition: these are the myths, the medieval legends and the folklore, the fables and fairytales that for centuries have been the archetypal narrative heritage of the cultures of the world.
Until 7 November. “Tina Modotti. Women, Mexico and freedom.” Tina Modotti, an Italian photographer, activist and actress, has left an indelible mark on the history of contemporary photography. Her famous shots are present in the collections of the most important museums in the world, are the symbol of an emancipated and modern woman, whose photographic art is inextricably linked to her social commitment.
Pirelli Hangar Bicocca
Via Chiese 2 • M5 Ponale
Open, ensuring total safety during the visit, from Thursday to Sunday, 10.30/20.30 , until further notice. Admission free
Open, Mon.-Wed. 11.00 – 15.00 Thu.-Sun.: 10.30 – 22.30
Pirelli HangarBicocca is a non-profit foundation, established in 2004, which has converted a former industrial plant in Milan into a contemporary art institution.
Permanent exhibition. Anselm Kiefer’s “The Seven Heavenly Palaces 2004-2015″ CURRENTLY CLOSED a site-specific installation, which presents seven towers —each of which weighs 90 tons and rises to heights varying between 14 and 18 meters —created from reinforced concrete using the angular construction modules of shipping containers. https://pirellihangarbicocca.org/en/anselm-kiefer/
Until 9 January. “Digital Mourning” is the first major solo exhibition in an Italian institution devoted to Neïl Beloufa (b. 1985, Paris). His work is strongly influenced by the world of the web, by videogames, by reality TV and political propaganda.
From 15 July. “Breath Ghosts Blind” by Maurizio Cattelan is a unique site-specific project which will challenge the current system of values. https://pirellihangarbicocca.org/en/exhibition/maurizio-cattelan/
Museo del Novecento
Via Marconi 1 • M1, M3 Duomo
Tues.- Sun. 09.30 -19.30, Thurs. until 22.30.
Permanent exhibitions. This museum is housed in the pre-Fascist era Palazzo dell’Arengario, designed by the famous architects Griffini, Magistretti, Muzio and Portaluppi. It houses a collection of more than 4,000 contemporary works of art.
Until 31 July. “Acacia Award 2020″ an exhibition dedicated to the artist winner of the ACACIA – Associazione Amici Arte Contemporanea Italiana (Friends of Italian Contemporary Art Association) Award. The protagonist is Loris Cecchini (Milan, 1969), one of the most internationally established Italian artists, with the works Waterbones (177) and Aeolian Landforms (Dahkla 137C).
Until 31 July. “Aplomb” by Lupo Borgonovo is exhibiting a series of ten watercolour drawings which will become part of the museum’s collection.
Until 22 August. “L’immagine sottratta” (The stolen image) by Franco Guerzoni. Inside the Archives room, located on the fourth floor of the Museo, the exhibition continues the museum’s exploration of the protagonists and movements that marked the Italian art world in the second half of the twentieth century.
Piazza Cairoli • M1 Cairoli
Free entrance 07.00 – 19.30
Tues.- Sun. 09.00 -17.30. €3/5
Access to the exhibitions is limited due to the ongoing health emergency. We therefore recommend booking on the website www.milanocastello.it
From 21 July to 24 October. “Il corpo e l’anima, da Donatello a Michelangelo. Scultura italiana del Rinascimento” (Body and soul, from Donatello to Michelangelo. Italian Renaissance sculpture). The exhibition, organized with the Louvre Museum, connects Italian Renaissance sculpture with other arts such as painting, drawing and objects, highlighting the main themes of Italian art in the second half of the fifteenth century, through to the end of the Renaissance.
Until 30 January 2022. “Sotto il cielo di Nut. Egitto divino.” (Under the sky of Nut. Divine Egypt). Reproductions of the splendid drawings by the Milanese Egyptologist Luigi Vassalli (1812-1877), and some comics created by participants in the Comics Contest, launched on the occasion of the opening of the exhibition in May 2020. 150 works, into four sections: Origin of the gods and the cosmos, Forms of the gods, Communion with the gods: the devotion, Becoming divine beings.
Until 19 November. “Brindisi d’autore. Bicchieri d’artista” (Author’s toast. Artist glasses) presenting 166 twentieth-century glasses, all different in shape, technique and colour.
Fabbrica del Vapore
Via Procaccini 4 • M5 Monumentale
Mon.- Fri. 09.30-19.30, Sat.- Sun. 09.30-21.00.
Reservations are required on Saturdays and holidays.
Until 25 July. “Frida Kahlo – Il caos dentro” (Frida Kahlo – The chaos inside) Frida Kahlo, the most famous Latin American painter of the twentieth century, represents a central figure of Mexican art. She embraced the values of the Mexican Revolution, including her love for popular culture. Together with her husband Diego Rivera, one of the most important mural artists in Mexico, they formed one of the most emblematic couples in the history of world art.
Museo di Storia Naturale
Corso Venezia 55 • M1 Palestro, tram 9, 29, 30 Passante Porta Venezia
Tues-Sun, 10.00-17.30, Last admission 16.30. Mon closed. €3/5 www.vivaticket.it
Reservations are required on Saturdays, Sundays and holidays (within the day before the visit). Reservations are not required from Tuesday to Friday, but recommended
Permanent exhibition. Mineralogy, Paleontology, Natural history of man, Invertebrate zoology, Vertebrate Zoology.
This is the biggest museum of its type in Italy and has 23 halls with about 700 display cases. Don’t miss the fauna and flora gallery: its 83 dioramas, 6 of which are brand new, have been created precisely for the protection of the species on display, some of which are already on the brink of extinction.
Museo Poldi Pezzoli
Via Alessandro Manzoni 12 • M3 Montenapoleone.
New permanent exhibition. On the occasion of the opening of three new rooms, three collections are being exhibited that have never been shown to the public before. In the first room, an exceptional collection of watches from the 16th to the 20th centuries, similar to those of the Louvre in Paris, of the Metropolitan Museum of Art of New York and of the Musée d’Art et d’Histoire in Geneva. In the second room a collection of archaeological finds, a significant group of ceramic pieces dating back to the IV-III century BC. In the third room, 18th century china artifacts by European manufacturers. The works made in Meissen are outstanding.
Recent acquisitions. The archaeological section, with about two hundred finds collected by the Poldi Pezzoli family, has been recently enriched by two new acquisitions. One of them is a male head in metal from the Graeco-Roman period, which documents styles in collection during 19th-century Europe which then continued on into the 20th century.
A restored masterpiece. The famous painting “Madonna and Child” or “Madonna with the Sleeping Christ Child” is a tempera on canvas by Andrea Mantegna, recently restored by the Opificio delle Pietre Dure in Florence and now back on show.
From 13 May to 27 September. “La Forma del Tempo” (The Shape of Time) an exhibition dedicated to Mankind’s relationship with Time, is divided into four sections: The measurement of Time and Space, The images of Time, Nighttime and Magic Shadows. On show: clocks, sculptures, codes and paintings (among the authors: Tiziano, Gian Lorenzo Bernini, Andrea Previtali, Bernardino Mei and Giovan Battista Gaulli known as il Baciccio) from antiquity to the threshold of the modern age.
Viale Gadio 2 • M2 Lanza, M1 Cairoli
An interesting Art Nouveau building, the third oldest aquarium in Europe.Open Tues-Sun 9-17.30. Mon closed. Admission free. Free booking and tickets available on:
Until 4 July. “Pop Aquarium” an unpublished series of 100 tempera works on paper by Luca Bertasso, who paints fantastic worlds populated by anthropomorphic fish on blue sea backgrounds, reminiscent of the Flemish fantasies by Hieronymus Bosch, the harmless nightmares by Heinrich Füssli, the studies by Jurgis Baltrušaitis and Jorge Luis Borges’s fantasies.
Until 12 September. “Submariner” by Vanni Cuoghi, with 16 recent works, many of which unpublished, which draw inspiration from the seabeds and its creatures.
Studio Museo Francesco Messina
Via San Sisto 4/a • M1/3 Duomo
Open Tues. Sun.. 10.00-19.00. Admission free (no reservation required)
Until 29 August. “Transitory Bodies”, an exhibition by Andreas Senoner, a South Tyrolean artist who has chosen wood as his favorite material.
Galleria MAEC Milan Art & Events Center
Palazzo Durini, Via Santa Maria Valle 2 • M3 Missori or M1 Duomo + tram 2, 3, 14
Open Tues Sat 10.00-14.00/15.30–19.00
Until 5 August. “Fiabe antiche, esclusivamente” (Ancient fairy tales, exclusively), an online exhibition in Italy by Xunmu Wu, with 7 series of paintings on display: Ancient fairy tales, Wild and silent nature, Starry sky of shepherds, Echo of the sky, Wasteland, Panorama, Deep black hole. A show produced by www.wepresentart.com. At the same time, the exhibition will be inaugurated in Shanghai at the Shanghai Linger Art Gallery. With the support of: Shanghai Jiao Tong University Overseas Education College; Tsinghua University Continuing Education Shanghai Alumni Association; CAREC Federation of Carrier and Forwarder Associations (CFCFA); World International Freight Forwarder Alliance; Shanghai International Freight Forwarders Association; China-Sweden Photography Art Research Center; Shanghai Kingbond INC. https://www.wepresentart.com/vr-ar-exhibitions
From 15 July to 15 October. With the patronage of Shanghai Honglai Culture Media Co., Ltd, and the Shanghai Zuibaichi Garden, online exclusively on the www.wepresentart.com platform, “Deconstruction of Urban Intention” Jinjin Dong’s solo exhibition. At the same time, the show will be inaugurated in Shanghai Zuibaichi Garden, one of the 5 oldest Chinese gardens in Shanghai, at the Dong Qichang Museum. The Museum is dedicated to Dong Qichang, a painter, calligrapher and scholar of the late Ming Dynasty (1368-1644)
Gaggenau – Design Elementi Hub di Milano
Corso Magenta 2, in the courtyard • M1 Cairoli
Open Mon, Fri, Sat 10.00 – 18.30. Mandatory booking at email@example.com
From 7 June to 29 July. A cycle of four exhibitions begins with the personal “IO|N”, in which Fabio Sandri, master of off-camera photography (i.e. without the aid of a camera), investigates the increasingly blurred boundaries amongst human beings, and the concept of space, through large photographic installations.
Galleria Monica De Cardenas
Via Francesco Viganò 4 • M2 Garibaldi
Open Tues-Sat. 15.00 – 19.00 Admission free
Unitl 30 July. Solo show by the German photographer Barbara Probst. Using a remote control, Probst simultaneously operates multiple cameras oriented towards the same scene; so that each records a different reality, revealing the relativity of each individual perspective.
Red Lab Gallery/Miele
Via Solari 46 • M2 Sant’Agostino + tram 14
Open Mon-Fri 15.00-18.30; Sat 10.12.30; 15,00-18.30. Admission free
Until 30 July. Art exhibition inauguration. “Nebulosa 11. Beside Walden” solo show by Dacia Manto. A heartfelt and profound homage to Nature, but at the same time a warning for that part of humanity that continues indiscriminately to exploit it. On show drawings, oils, pastels, and in addition a site-specific installation composed of overlapping and branching maps. Admission free, booking at firstname.lastname@example.org.
The new project Zona Monti
This cultural project aims at connecting contemporary art galleries with foundations and archives, either public or private, linked to art and architecture.
Zona Monti is spread over several streets near Via Vincenzo Monti, connecting the following:
Federico Luger Via Aurelio Saffi 6
Galleria Tonelli Via Aurelio Saffi 33
Pananti Atelier Via Aurelio Saffi 9
Podbielski Contemporary Via Vincenzo Monti 12
Officine Saffi Via Aurelio Saffi 7
Viasaterna Via Leopardi 32
Archivio Vincenzo Agnetti Via Machiavelli 30
Fondazione Piero Portaluppi Via Morozzo della Rocca 5
Due to Covid 19
what should you know if you are in Milano?
1) transfers by trains traveling within the Lombardy Region are regular.
2) if you are running a fever higher than 37.5° you are strongly recommended to stay at home and to inform your doctor
3) if you are subjected to quarantine or you are positive for Covid you must stay at home.
Cultural shows and recreational circles are now allowed to reopen normally
1) privilege access by reservation if they have tables with seats
2) if they do not have seats, they must allow entry to a limited number of customers at a time
3) where possible set up outdoor spaces such as gardens, terraces, stalls, always respecting the droplet criterion (at least 1 metre/3 feet social distancing)
4) accept payments by credit card only
5) make available free hydro-alcoholic solutions for hand hygiene.
Museums, archives, libraries, historic places, monuments and other cultural activities
are open and must:
1) define, publish and communicate a specific access plan for visitors, such as opening days, times, maximum number of visitors, booking system, etc.
2) make available free hydro-alcoholic solutions for hand hygiene.
3) accept online or telephone reservations with a maximum number of visitors and regulate access in order to avoid gathering conditions.
4) accept payments by credit card only
5) live shows are only allowed without an audience
Museums and exhibitions are encouraging the public to tour their spaces virtually on their social media.
Please visit their websites for further information on the initiatives.